«Inoltre for piano and 4-channel electronics was written partly in 2010 and then completed in 2017. Conceived as a study of the condensation of sonic objects derived from different automatic orchestrations, the starting material is a fragment of a sample of a tam tam rubbed with a super-ball; this is the same sonic object that formed the basis of two of my previous compositions: the radio drama Un posible día (2011) for soprano, narrator, 10 instruments and electronics, and Sidereus Nuncius (2009), for three percussionists, dancers and interactive electro-acoustic system. The definition of this sonic object (that first just 0.144 seconds) was a long but fruitful operation: from this starting point I was able to derive a series of automatic orchestration solutions through Orchidée (computer-assisted orchestration programe developed at Ircam) which immediately revealed the possibilities, but also the limits, of this tool. Although these materials were in themselves fascinating, being derived from a genuine microcosm, they couldn't be used in their raw state in a work for piano and electronics or solo piano; and thanks to a multidimensional consideration of these possibilities I looked for compositional solutions that would allow them to be condensed, contracted or expanded so that they could enter or become integrated in both the piano as well as the electronics part, while keeping their affinity with the original sonic object».